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Unlike most other
memorials, the WTC memorial site is the hallowed ground
in which the victims died. Thus it is appropriate and respectful that
the "bathtub" be commemorated as a cemetery and a resting place.
ETERNAL
LIGHTS
By placing a light
in the ground for each victim or hero – and identifying each one – this
design creates a memorial at once contemplative and celebrating those
lives. The lights are placed, when possible, according to the GPS plotted
locations of remains; the heavier concentration of lights forms the footprints
of the towers.
Each "eternal" light
is a solar powered LED with the name (and rank/affiliation if appropriate)
of a victim etched into the lens. Both the solar power and the extreme
long life of LED bulbs contribute to the eternal character of the lights.
Civilians are commemorated with white lights, firefighters and EMT's with
red lights and police with blue lights. This differentiation (red, white
and blue) allows recognition of those who gave their lives, while not
creating a hierarchy diminishing those who lost their lives.

(Lights for the Pentagon
and Pennsylvania victims are placed in the south bathtub wall. Lights
for the 1993 WTC bombing victims are placed at the location of the original
memorial, which was also the blast site and is incorporated into the public
contemplation space.)
AN
EVOCATIVE PARK OF FOOTPRINTS AND LIGHTS
The
other basis of this proposal – the rolling terrain with semi-underground
spaces – arose from the desire to create a simple, bucolic park without
additional structures to complicate it or compete with the surrounding
structures, which are complex and monumental in their own right. The footprints
of the towers are kept at the ground plane while the terrain is allowed
to rise in the center of the site in order to create contemplative
spaces below. (The memorial lights above those spaces are duplicated in
the roofs of those spaces so they appear to shine through from above.)
The rolling topography of the park is meant to also resemble the topography
of the Fresh Kills landfill, where much of the WTC ended up.
SOLAR
WALL OF TEARS
The
contemplation spaces are entered either via a ramp, which is the intersected
lower portion of the planned west ramp, or via the north tower footprint.
From the primary ramp entrance, the first space is an open air lobby (1)
framed on the south by a rock wall and on the north by a tilted translucent
"solar wall of tears." This wall, which separates the lobby from the families'
space, is made of photovoltaic panels – to power the memorial lights inside
– with water slowly dripped over the surface.
CONTEMPLATIVE
SPACES
The
public contemplation room (2) is the central space and is the connector
to the space for families and loved ones (3), the unidentified remains
(4), the 1993 Memorial (5) and the north tower footprint. On the floor
throughout, there are lit benches wit hin
a pebbled outline marking the location of the destroyed Marriott World
Trade Center Hotel footprint.
The ceilings of the
rooms are dotted with memorial lights in the same positions as the lights
in the ground above. While the space itself is underground, daylight filters
in from the lobby, the north tower footprint and the opening at the 1991
Memorial. The curved translucent wall separating the public contemplation
room from the wall of unidentified remains is lit from within, creating
a glow in both spaces.
The families' space
is entered through a "permeable" separation from the public space. At
the narrow, west
end of the space is a private area to view the slurry wall. Much of the
south side is formed and illuminated by the solar wall of tears. The north
wall is open to the north tower footprint.
The structure supporting
the raised areas at the edges of the tower footprints is made of columns
deriv»ó'urom the shape of those that formed the ground level of the towers.
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